Literally translated ralli means to mix or connect… and that’s exactly what ralli quilts do in many different ways. Made from scraps of fabric (usually cotton), ralli’s are an expression of the makers behind them. You’ll find these quilts in three basic styles: 1) patchwork made from pieces of torn cloth squares and triangle stitched together 2) appliqué made from intricate cute out patterns 3) embroidered quilts where the stitches form patterns on solid colored fabrics. No matter the style, you’ll always notice the bold diagonal placements of blocks and embellishments.
Our new printed leggings deserved a full spread in our first spring catalog. We decided to really play up the colorful chaos of India for this shot… the final result? A legging mandala! Metallic tattoos, tasseled bracelets, beaded anklets, pom-poms and chalk dusted feet all played a part in making this happen. Here’s how you can get the look…
I have painted on many surfaces over the years: clay, canvas, wood, buildings, streets, sidewalks, fabric, faces. None of this prepared me for painting on elephants. This is definitely something I never even dreamed of doing. I had mixed feelings going into it. I always awed at the beauty of the photographs of painted elephants in magazines and online, but was worried about what all that meant for the elephants. Weren’t they meant to be in the wild? Would these elephants be treated well?
I read all about Elefun before we went. It had good reviews and people had good things to say about how they treated the elephants. Our amazing trip planner, Gouthami, checked in with some of her local connections who also had good things to say about Elefun. Elefun is an elephant village dedicated to creating a safe and natural environment in order to conserve elephants. In Indian culture, elephants are revered, loved, respected and protected.
My first impression was that the elephants were MASSIVE. Being an animal nerd I knew that Indian elephants are one of the smaller varieties, these were anything but small. They introduced us to the elephants, had us pet their trunks. Showed us how to feed them bananas. They ate entire bunches of bananas at once, in what seemed like one giant bite.
Embroider:to ornament with needlework or to form with needlework.
Inspired by the embroidered details found throughout India, many of our graphics this season have a touch of embroidery on them. Our Kingfisher and Rohira Appliqué Graphic Tees for her and Hathi Graphic Tee for him are just a few of the embroidered designs you’ll find in our first delivery. Now we’re asking your little citizens to join in on the fun!
Each month Studio T features one of our retailers. This month we caught up with Jennifer, co-founder of Angelique Baby + Kids. Learn about the brand and the hot spots of New Orleans below!
Have you always lived in New Orleans?
I was born in Birmingham, Alabama. I have been in my wonderful New Orleans since 1996. My business partner, Angelique Palumbo is New Orleans born and raised.
How was your business born?
We opened in 2006, post Katrina. We are looking forward to our 10 year birthday!
Tell us a little about your family history.
I brought some of my deep traditional Alabama ideas of children’s wear to New Orleans. Like my electric city of New Orleans, the store has evolved to a more sophisticated and worldly scope.
Perhaps small groups of girls quietly sewing or studying or shyly showing us their homemade handicrafts. Something simple. Something that would be easy to describe with a few well-chosen adjectives.
Instead, I found myself holding a bemused baby goat and thanking a smiling 14-year-old girl for her gift while trying to explain through a translator that there was no way I could get a goat through customs.
It was a Saturday in Jaipur and my Tea colleague Jessie and I were spending the day visiting villages with Gram Bharati Samiti, a non-profit funded by the Global Fund for Children. In Hindi, the name means “Society for Rural Development.”
Early that morning, we met the Gram Bharati Samiti founder, Bhawani, at his office near Amer Fort. A sixty-something man with sharp eyes and sparse hair, Bhawani welcomed us with a gentle greeting and masala chai. He introduced us to Kusum, a quiet woman in her fifties who has worked with Bhawani for 25 years. (Kusum has one of those smiles that makes you feel like everything is going to be ok.)
Bhawani explained that he and Kusum would take us to visit three of the 17 villages they’ve been working with—teaching them about safe drinking water, about healthcare and women’s rights and the power of education.
After an hour or more of jouncing down increasingly narrow roads, dodging cows, camels and overloaded motorbikes, our van pulled into the middle of Gaonli village and I sat and stared in open-mouthed astonishment.
There, in a dusty clearing between equally dusty mud dwellings, stood a huge tent teetering on bamboo poles. And beneath it, a rainbow of pink and yellow and purple saris.
A crowd of villagers, mostly women and girls, all turned to stare as we awkwardly climbed out of the van and then, as Jessie and I pressed our palms together and murmured, “Namaste. Namaste,” they all began to smile and laugh and bob their heads in greeting. They had been waiting for us.
We were led to the front of the tent and seated on folding chairs facing everyone as Sarita, another GBS staff member, picked up a microphone and began to introduce us.
We found out later that the sound system was powered by a generator that had been trucked in on the back of a motorcycle. Gaonli has no electricity or running water. The people who live there walk nearly two miles each morning to pump their water from a well. (Yet later, at every door we passed, someone came out to greet us holding dripping glasses of water for our refreshment.)
Dressed in their best and visibly nervous, several teenage girls put on a Rajasthani dance demonstration, one after another after another gracefully bobbing and twirling in front of us, anklets jingling.